The
Improving The Read class addresses the second significant
stumbling block to new screenwriters: making their scripts
convey the emotional experience of actually seeing the
film. The days of writing a script to be filmed are long
gone. Scripts are now meant to be read. They will be read
by a dozen people up the chain before the small miracle of
being filmed is ever achieved. This class focuses on how to
create the best experience for the reader. This is an
absolutely vital workshop for anyone looking to get more
positive reactions to their scripts.
While this is a far more technical and hands-on class, it
is absolutely worth the work. Your spec script is
essentially a selling tool, and this class teaches you how
to maximize the opportunity someone gives you when they
agree to read it.
This
class will show you how to create the movie in the reader's
head by...
Winning the confidence of the reader so they will keep
reading.
Duplicating the same rhythm and tempo of your movie on the
page.
Writing for emotional effect to evoke a response from the
reader.
Helping the reader better connect with your characters.
Making sure the reader doesn't skip the in-writing and go
to the dialogue.
Writing the slimmest, trimmest and most effective version
of your story.
Quietly direct the film and control the story without
anyone knowing what you're doing.
And much more...
You should not let another person read your script until
you believe you understand the principles of how to make
your script "a good read". This class will show you the
basics and beyond.
You will see the dividends
immediately.
Seriously.
Immediately.
Email us:
info@storyandplot.com